Il Barbieri di Siviglia (The Barber of Seville)

This opera is a two-act comedy with lots of disguise, subterfuge and deceit. It is poorly named, as it has little to do with the barber of the title (Figaro), who instead plays matchmaker. Basically, Count Almaviva is smitten with Rosina, the ward of Doctor Bartolo, who is also smitten with her. The problem is, Doctor Bartolo is a grumpy old codger whom Rosina has no interest in.  Knowing this, he keeps her confined and sheltered to prevent her from being wooed.  Enter Figaro, Bartolo’s barber and general jack of all trades, who helps the count gain access to Bartolo’s household and Rosina.  However, the count does not want to be loved for his wealth or title; he disguises himself as a poor student named Lindoro. Rosina and Lindoro’s attempts to communicate with each other, amid the doctor’s suspicious nature and with Figaro’s help, generate much of the comedy.  This opera is based on the first play of a trilogy by French playwright Pierre Beaumarchais.